Each ship has its own shadow in the shallows. Each ship is the vessel of its own story, throwing its own anchor into the water. But none resembles one another. The ship is a haven against disaster. Water is sometimes considered the first phase of creation, sometimes the punishment of humanity. While the flood causes disasters, it challenges order and belief. “Losing My Religion” installation raises questions about re-existence in the extinction-existence precession, and questions the new life that begins with death and the escape from water through an antique enamel bathtub in which ship origamis made from the pages of the animal book "La vie privée desanimaux" published by Hachette in 1970 are placed.

Each ship has its own shadow in the shallows. Each ship is the vessel of its own story, throwing its own anchor into the water. But none resembles one another. The ship is a haven against disaster. Water is sometimes considered the first phase of creation, sometimes the punishment of humanity. While the flood causes disasters, it challenges order and belief. “Losing My Religion” installation raises questions about re-existence in the extinction-existence precession, and questions the new life that begins with death and the escape from water through an antique enamel bathtub in which ship origamis made from the pages of the animal book "La vie privée desanimaux" published by Hachette in 1970 are placed.

Each ship has its own shadow in the shallows. Each ship is the vessel of its own story, throwing its own anchor into the water. But none resembles one another. The ship is a haven against disaster. Water is sometimes considered the first phase of creation, sometimes the punishment of humanity. While the flood causes disasters, it challenges order and belief. “Losing My Religion” installation raises questions about re-existence in the extinction-existence precession, and questions the new life that begins with death and the escape from water through an antique enamel bathtub in which ship origamis made from the pages of the animal book "La vie privée desanimaux" published by Hachette in 1970 are placed.

Each ship has its own shadow in the shallows. Each ship is the vessel of its own story, throwing its own anchor into the water. But none resembles one another. The ship is a haven against disaster. Water is sometimes considered the first phase of creation, sometimes the punishment of humanity. While the flood causes disasters, it challenges order and belief. “Losing My Religion” installation raises questions about re-existence in the extinction-existence precession, and questions the new life that begins with death and the escape from water through an antique enamel bathtub in which ship origamis made from the pages of the animal book "La vie privée desanimaux" published by Hachette in 1970 are placed.