The Recovery of a Fertility Rite

Cariñena, the land that gives its name to a grape, is striking for its abundance of vineyards which, as in most wine-growing estates, are perfectly ordered along extensive roads. Grapes and wine, however, are symbols of abundance, frenzy and uncontrol.

Observing this space, transformed over centuries by man, we cannot help but wonder what these vineyards would have been like in their wild state, what this landscape would have been like before the exploitation of the Romans, what the rites related to wine would have been like in previous civilisations, even before the appearance of Dionysus or Bacchus, when women were still masters of their fertility and sexuality, and the discovery of pleasure was not subject to the pleasure of a god, but to the unveiling of a mystery in their own bodies in relation to Nature.

Bacanas, Hijas de Parra, wants to recover the vineyards as a sacred space for women, where they can celebrate their own initiatory mysteries for the discovery of pleasure.

Direction: Lucía Callén (Lucía Sombras)
Performance: Lucía Callén, Teresa Martí
Video: Ainara García
Photos: GCV

The Recovery of a Fertility Rite

Cariñena, the land that gives its name to a grape, is striking for its abundance of vineyards which, as in most wine-growing estates, are perfectly ordered along extensive roads. Grapes and wine, however, are symbols of abundance, frenzy and uncontrol.

Observing this space, transformed over centuries by man, we cannot help but wonder what these vineyards would have been like in their wild state, what this landscape would have been like before the exploitation of the Romans, what the rites related to wine would have been like in previous civilisations, even before the appearance of Dionysus or Bacchus, when women were still masters of their fertility and sexuality, and the discovery of pleasure was not subject to the pleasure of a god, but to the unveiling of a mystery in their own bodies in relation to Nature.

Bacanas, Hijas de Parra, wants to recover the vineyards as a sacred space for women, where they can celebrate their own initiatory mysteries for the discovery of pleasure.

Direction: Lucía Callén (Lucía Sombras)
Performance: Lucía Callén, Teresa Martí
Video: Ainara García
Photos: GCV

The Recovery of a Fertility Rite

Cariñena, the land that gives its name to a grape, is striking for its abundance of vineyards which, as in most wine-growing estates, are perfectly ordered along extensive roads. Grapes and wine, however, are symbols of abundance, frenzy and uncontrol.

Observing this space, transformed over centuries by man, we cannot help but wonder what these vineyards would have been like in their wild state, what this landscape would have been like before the exploitation of the Romans, what the rites related to wine would have been like in previous civilisations, even before the appearance of Dionysus or Bacchus, when women were still masters of their fertility and sexuality, and the discovery of pleasure was not subject to the pleasure of a god, but to the unveiling of a mystery in their own bodies in relation to Nature.

Bacanas, Hijas de Parra, wants to recover the vineyards as a sacred space for women, where they can celebrate their own initiatory mysteries for the discovery of pleasure.

Direction: Lucía Callén (Lucía Sombras)
Performance: Lucía Callén, Teresa Martí
Video: Ainara García
Photos: GCV

The Recovery of a Fertility Rite

Cariñena, the land that gives its name to a grape, is striking for its abundance of vineyards which, as in most wine-growing estates, are perfectly ordered along extensive roads. Grapes and wine, however, are symbols of abundance, frenzy and uncontrol.

Observing this space, transformed over centuries by man, we cannot help but wonder what these vineyards would have been like in their wild state, what this landscape would have been like before the exploitation of the Romans, what the rites related to wine would have been like in previous civilisations, even before the appearance of Dionysus or Bacchus, when women were still masters of their fertility and sexuality, and the discovery of pleasure was not subject to the pleasure of a god, but to the unveiling of a mystery in their own bodies in relation to Nature.

Bacanas, Hijas de Parra, wants to recover the vineyards as a sacred space for women, where they can celebrate their own initiatory mysteries for the discovery of pleasure.

Direction: Lucía Callén (Lucía Sombras)
Performance: Lucía Callén, Teresa Martí
Video: Ainara García
Photos: GCV

The Recovery of a Fertility Rite

Cariñena, the land that gives its name to a grape, is striking for its abundance of vineyards which, as in most wine-growing estates, are perfectly ordered along extensive roads. Grapes and wine, however, are symbols of abundance, frenzy and uncontrol.

Observing this space, transformed over centuries by man, we cannot help but wonder what these vineyards would have been like in their wild state, what this landscape would have been like before the exploitation of the Romans, what the rites related to wine would have been like in previous civilisations, even before the appearance of Dionysus or Bacchus, when women were still masters of their fertility and sexuality, and the discovery of pleasure was not subject to the pleasure of a god, but to the unveiling of a mystery in their own bodies in relation to Nature.

Bacanas, Hijas de Parra, wants to recover the vineyards as a sacred space for women, where they can celebrate their own initiatory mysteries for the discovery of pleasure.

Direction: Lucía Callén (Lucía Sombras)
Performance: Lucía Callén, Teresa Martí
Video: Ainara García
Photos: GCV

The Recovery of a Fertility Rite

Cariñena, the land that gives its name to a grape, is striking for its abundance of vineyards which, as in most wine-growing estates, are perfectly ordered along extensive roads. Grapes and wine, however, are symbols of abundance, frenzy and uncontrol.

Observing this space, transformed over centuries by man, we cannot help but wonder what these vineyards would have been like in their wild state, what this landscape would have been like before the exploitation of the Romans, what the rites related to wine would have been like in previous civilisations, even before the appearance of Dionysus or Bacchus, when women were still masters of their fertility and sexuality, and the discovery of pleasure was not subject to the pleasure of a god, but to the unveiling of a mystery in their own bodies in relation to Nature.

Bacanas, Hijas de Parra, wants to recover the vineyards as a sacred space for women, where they can celebrate their own initiatory mysteries for the discovery of pleasure.

Direction: Lucía Callén (Lucía Sombras)
Performance: Lucía Callén, Teresa Martí
Video: Ainara García
Photos: GCV

The Recovery of a Fertility Rite

Cariñena, the land that gives its name to a grape, is striking for its abundance of vineyards which, as in most wine-growing estates, are perfectly ordered along extensive roads. Grapes and wine, however, are symbols of abundance, frenzy and uncontrol.

Observing this space, transformed over centuries by man, we cannot help but wonder what these vineyards would have been like in their wild state, what this landscape would have been like before the exploitation of the Romans, what the rites related to wine would have been like in previous civilisations, even before the appearance of Dionysus or Bacchus, when women were still masters of their fertility and sexuality, and the discovery of pleasure was not subject to the pleasure of a god, but to the unveiling of a mystery in their own bodies in relation to Nature.

Bacanas, Hijas de Parra, wants to recover the vineyards as a sacred space for women, where they can celebrate their own initiatory mysteries for the discovery of pleasure.

Direction: Lucía Callén (Lucía Sombras)
Performance: Lucía Callén, Teresa Martí
Video: Ainara García
Photos: GCV

The Recovery of a Fertility Rite

Cariñena, the land that gives its name to a grape, is striking for its abundance of vineyards which, as in most wine-growing estates, are perfectly ordered along extensive roads. Grapes and wine, however, are symbols of abundance, frenzy and uncontrol.

Observing this space, transformed over centuries by man, we cannot help but wonder what these vineyards would have been like in their wild state, what this landscape would have been like before the exploitation of the Romans, what the rites related to wine would have been like in previous civilisations, even before the appearance of Dionysus or Bacchus, when women were still masters of their fertility and sexuality, and the discovery of pleasure was not subject to the pleasure of a god, but to the unveiling of a mystery in their own bodies in relation to Nature.

Bacanas, Hijas de Parra, wants to recover the vineyards as a sacred space for women, where they can celebrate their own initiatory mysteries for the discovery of pleasure.

Direction: Lucía Callén (Lucía Sombras)
Performance: Lucía Callén, Teresa Martí
Video: Ainara García
Photos: GCV

The Recovery of a Fertility Rite

Cariñena, the land that gives its name to a grape, is striking for its abundance of vineyards which, as in most wine-growing estates, are perfectly ordered along extensive roads. Grapes and wine, however, are symbols of abundance, frenzy and uncontrol.

Observing this space, transformed over centuries by man, we cannot help but wonder what these vineyards would have been like in their wild state, what this landscape would have been like before the exploitation of the Romans, what the rites related to wine would have been like in previous civilisations, even before the appearance of Dionysus or Bacchus, when women were still masters of their fertility and sexuality, and the discovery of pleasure was not subject to the pleasure of a god, but to the unveiling of a mystery in their own bodies in relation to Nature.

Bacanas, Hijas de Parra, wants to recover the vineyards as a sacred space for women, where they can celebrate their own initiatory mysteries for the discovery of pleasure.

Direction: Lucía Callén (Lucía Sombras)
Performance: Lucía Callén, Teresa Martí
Video: Ainara García
Photos: GCV

The Recovery of a Fertility Rite

Cariñena, the land that gives its name to a grape, is striking for its abundance of vineyards which, as in most wine-growing estates, are perfectly ordered along extensive roads. Grapes and wine, however, are symbols of abundance, frenzy and uncontrol.

Observing this space, transformed over centuries by man, we cannot help but wonder what these vineyards would have been like in their wild state, what this landscape would have been like before the exploitation of the Romans, what the rites related to wine would have been like in previous civilisations, even before the appearance of Dionysus or Bacchus, when women were still masters of their fertility and sexuality, and the discovery of pleasure was not subject to the pleasure of a god, but to the unveiling of a mystery in their own bodies in relation to Nature.

Bacanas, Hijas de Parra, wants to recover the vineyards as a sacred space for women, where they can celebrate their own initiatory mysteries for the discovery of pleasure.

Direction: Lucía Callén (Lucía Sombras)
Performance: Lucía Callén, Teresa Martí
Video: Ainara García
Photos: GCV