Emily Puetter
No cutting the gras, letting everything grow as it wants and documenting this healing process of the environment in my art work. As wild as possible. The big format paintings learn from nature and recreate the process on canvas and paper. I paint with gras and sticks and also some colors that I do myself from fruitsor carbon. It is the reversing of the art industry process.
No cutting the gras, letting everything grow as it wants and documenting this healing process of the environment in my art work. As wild as possible. The big format paintings learn from nature and recreate the process on canvas and paper. I paint with gras and sticks and also some colors that I do myself from fruitsor carbon. It is the reversing of the art industry process.
No cutting the gras, letting everything grow as it wants and documenting this healing process of the environment in my art work. As wild as possible. The big format paintings learn from nature and recreate the process on canvas and paper. I paint with gras and sticks and also some colors that I do myself from fruitsor carbon. It is the reversing of the art industry process.
No cutting the gras, letting everything grow as it wants and documenting this healing process of the environment in my art work. As wild as possible. The big format paintings learn from nature and recreate the process on canvas and paper. I paint with gras and sticks and also some colors that I do myself from fruitsor carbon. It is the reversing of the art industry process.
No cutting the gras, letting everything grow as it wants and documenting this healing process of the environment in my art work. As wild as possible. The big format paintings learn from nature and recreate the process on canvas and paper. I paint with gras and sticks and also some colors that I do myself from fruitsor carbon. It is the reversing of the art industry process.
No cutting the gras, letting everything grow as it wants and documenting this healing process of the environment in my art work. As wild as possible. The big format paintings learn from nature and recreate the process on canvas and paper. I paint with gras and sticks and also some colors that I do myself from fruitsor carbon. It is the reversing of the art industry process.
No cutting the gras, letting everything grow as it wants and documenting this healing process of the environment in my art work. As wild as possible. The big format paintings learn from nature and recreate the process on canvas and paper. I paint with gras and sticks and also some colors that I do myself from fruitsor carbon. It is the reversing of the art industry process.
No cutting the gras, letting everything grow as it wants and documenting this healing process of the environment in my art work. As wild as possible. The big format paintings learn from nature and recreate the process on canvas and paper. I paint with gras and sticks and also some colors that I do myself from fruitsor carbon. It is the reversing of the art industry process.
No cutting the gras, letting everything grow as it wants and documenting this healing process of the environment in my art work. As wild as possible. The big format paintings learn from nature and recreate the process on canvas and paper. I paint with gras and sticks and also some colors that I do myself from fruitsor carbon. It is the reversing of the art industry process.
No cutting the gras, letting everything grow as it wants and documenting this healing process of the environment in my art work. As wild as possible. The big format paintings learn from nature and recreate the process on canvas and paper. I paint with gras and sticks and also some colors that I do myself from fruitsor carbon. It is the reversing of the art industry process.
No cutting the gras, letting everything grow as it wants and documenting this healing process of the environment in my art work. As wild as possible. The big format paintings learn from nature and recreate the process on canvas and paper. I paint with gras and sticks and also some colors that I do myself from fruitsor carbon. It is the reversing of the art industry process.
No cutting the gras, letting everything grow as it wants and documenting this healing process of the environment in my art work. As wild as possible. The big format paintings learn from nature and recreate the process on canvas and paper. I paint with gras and sticks and also some colors that I do myself from fruitsor carbon. It is the reversing of the art industry process.
No cutting the gras, letting everything grow as it wants and documenting this healing process of the environment in my art work. As wild as possible. The big format paintings learn from nature and recreate the process on canvas and paper. I paint with gras and sticks and also some colors that I do myself from fruitsor carbon. It is the reversing of the art industry process.